Debussy modified the inertias of music without altering the thread of music history; he changed the course without losing north, and avoided the pitfalls that led so many other eminent composers of his era to isolation and melancholy. All this is manifested in the works that Peruvian pianist Claudio Constantini reveals to us in this stunning release, second in a series that presents the recording of the complete piano output of the French composer, in which he performs the 24 Preludes, composed by Debussy in two volumes, the first from 1909 to 1910, while he was already ill with the cancer which would cause his death in 1918, and the second from 1911 to 1913. Together with the first book of Preludes, Claudio Constantini performs the Estampes from 1903 and the Ballade Slave from 1890; and next to the second book of Preludes, his Images oubliées from 1894. Claudio Constantini holds an international and multi-faceted career as a performer of two instruments, the piano and the bandoneon, as well as being a composer in high demand. Born and raised in Lima, Constantini’s unique style is defined by its solid classical roots paired with a passion for popular music genres, among which Latin music and Jazz/fusion play a key role.